See following the material, documents, articles, websites, reviews, and thesis I found online re. performance drawing and which I am using for my research.
AAVV, (2019). Behind the Scenes: Ram Samocha from Draw to Perform. Copperdollar Studios [online]. [Viewed on 29.01.2020]. Available from https://copperdollarstudios.co.uk/behind-the-scenes-ram-samocha-from-draw-to-perform/
Barker, G., (2017) Performance drawing. Drawing [online]. 7 December 2017. [Viewed 28.01.2020] Available from fineartdrawinglca.blogspot.com/2017/12/performance-drawing.html
Carlson, B., (2017). Moving Marks. Performing Arts Journal [online]. 115, pp. 58-66. [Viewed 28.01.2020]. Available from doi:10.1162/PAJJ_a_00352. Linked from http://drawtoperform.com/press/
Donica, K., (2007). MoMA Exhibition explores Performance and Drawing through works in the Collection. The Museum of Modern Art [online]. [Viewed on 28.01.2020]. Available from https://www.moma.org/calendar/exhibitions/21? PDF available from https://www.moma.org/documents/moma_press-release_387120.pdf
Foa, M., (2011) Sounding out: performance drawing in response to the outside environment. (PhD thesis), University of the Arts London. [Viewed on 29.01.2020]. Available from http://ualresearchonline.arts.ac.uk/5455/
Foá, M. and Hosea, B., (2013). Draw to Perform – A performance Presentation (transcript of performative lecture). [online]. [Viewed on 29.01.2020]. Available from https://drawntogether.wordpress.com/2014/07/04/documentation-of-dialogues-on-performance-iii-draw-to-perform/. PDF available from https://drawntogether.files.wordpress.com/2014/07/draw-to-perform.pdf
Gallavardin, G., (2015). Draw to Perform2 Symposium. Drawing, Research, Theory, Practice. [online]. 1, pp 145-147. [Viewed 28.01.2020]. Available from http://drawtoperform.com/press/
Hosea, B., (2012) Substitutive bodies and constructed actors: a practice-based investigation of animation as performance. (PhD thesis), University of the Arts London. [Viewed on 29.01.2020]. Available from http://ualresearchonline.arts.ac.uk/3437/
Karasch, A. and Samocha, R., (2017). A Summary of the Collaboration at Draw to Perform 3. Art Methods [online]. 3 March 2017. [Viewed 29.01.2020] Available from http://art-methods.com/agnieszka-karasch-and-ram-samocha-a-summery-of-the-collaboration-at-draw-to-perform-3/
Lloyd, P.,(2016). Draw to Perform 3. [online]. [Viewed 28.01.2020]. Available from http://drawtoperform.com/press/
Olley, M., (2018). The Performative Trace. [online]. [Viewed on 28.01.2020]. Available from margaretolleydrawingweek2018atthenationalartschool.wordpress.com/ performance-drawing-2
Overton, N., (2015) Drawing as Performance: the Art Gallery meets Experimental Theatre. Fusion [online]. 7. [Viewed on 28.01.2020]. Available from http://www.fusion-journal.com/issue/007-fusion- mask-performance-performativity-and-communication/drawing-as-performance-the-art-gallery-meets-experimental-theatre/
O’Dempsey, K., (2016). Performance drawing: framing the elements. Studio Research [online]. 4, pp.18-27. [Viewed on 29.01.2020]. Available from http://studioresearch.com .au/wp/wp-content/uploads/2016/12/STUDIO-RESEARCH-Issue-4-November-2016.pdf
Pirker, C.W., (2017). On a twirling shoe. An International Symposium for Drawing Performance Review [online]. [Viewed 28.01.2020]. Available from http://drawtoperform.com/press/
Taylor, R.P., (2002). Order in Pollock’s Chaos. Scientific American [online]. 287. [Viewed on 28.01.2020]. Available from http://authenticationinart.org/pdf/literature/Richard-P.-TaylorOrder-in-Pollocks-Chaos.pdf
Voynovskaya, N., (2015). Drawing Becomes Performance Art in “Draw to Perform”. HiFructose [online]. [Viewed 28.01.2020]. Available from http://hifructose.com/2015/04/30/drawing-becomes-performance-art-in-draw-to-perform/
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